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Dr Marta Castellino, author of a perceptive analysis of the police narrative Borges, Raúl unaware of Silanes, since no mention of his initiative Cultural itineraries: pass and see the places that writers have raved Mendoza (the best route would be to read his books). When Dr
literature speaks of the desert, oblivious to the author of Return of Babel (Best Sade, with Antonio Di Benedetto jury) or the recently awarded second prize in fiction Fayad: Envy the wind to the deceased, both inspired Mendoza desert, not literally, but by learning teacher's lesson Onetti, Rulfo, Faulkner for not only a vile anthropology. Dr Marta
Castellino, if you're listening to you give me some information Silanes, including that Clarín (lies) considered it the most award-winning Argentine writer and Dr Beatrice Cheno t he studies at the University of Bordeaux.
http://es.wikipedia.org/wiki/Ra% C3% BAl_Silanes
http://www.losandes.com.ar/notas/2009/11/21/cultura-457607.asp
http://www.losandes.com.ar/notas/2009/11/21/cultura-457603.asp
http://bdigital.uncu.edu.ar/bdigital/objetos_digitales/731/CAMPOSPyC1112.pdf ;
To Marta Castellino, Borges chosen in 1940 as a lecturer and author, narrative police playful, cerebral, as a way of exorcising the ghosts of Nazi reality. The novel Envy the dead wind is also a detective story, but that is not enclosed in a riddle, is not boring police if a story but complete failure when we extend the story beyond the hundred pages. But it is a crime novel anti-Cartesian, in that sense antiborgiana.
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